Waterfall

All posts tagged Waterfall

Gondar

I’ve recently returned from a week of work travel in north-western Ethiopia. Amhara Region has many claims, and among them, the claim to be the true ‘heartland’ of Ethiopia. Couched in the ancient highlands that were the natural fortress of old Abyssinia, it is a diverse and devastatingly beautiful landscape, full of history gone, and history still unfolding.

Dinkara Falls

The region gives its name to both the dominant people group of Ethiopia, and the nation’s lingua franca- and hence the political as well as historical claim to be Ethiopia’s heartland. Both perspectives are easily challenged. Ethiopia is highly ethnically diverse, with over 80 ethnic groups, and its government carefully balances power among that recognized ethnic diversity: New Prime Minister Hailemariam Desalegn (who is a Wolayta, from the SNNPR) has appointed three deputy Prime Ministers, one each from Tigray, Oromia and Amhara (and have similarly ensured balanced religious representation, with one deputy being Muslim and two Orthodox, to compliment Hailemariam’s Protestant faith). Likewise, while Amharic is the state’s official language, and English has some currency as a foreign language understood by those who have completed secondary education, there are some 90 languages across Ethiopia, and native Amharic speakers make up just over a quarter of Ethiopia’s population. Geek fact: Amharic is the second most widely-spoken Semitic language in the world, after Arabic.

Banja Roadway

Amhara Region has somewhere in the vicinity of 18 million people, over 90% of them from the Amharic ethnic group (also a contested nomenclature) and most of them also Orthodox Christian. Its administrative capital is the town of Bahir Dar, which non-travellers to Ethiopia are unlikely to have heard of, but it is a pleasant and fast-growing town of nearly 200,000, with palm-lined avenues and magenta bougainvillea spilling over compound walls. It sits near the region’s centre on an inlet of Lake Tana, Ethiopia’s largest body of water and the source of the mighty Abbai- the Blue Nile (although the Piccolo Abbai- the Little Blue Nile) rises elsewhere in the south of the region to feed the lake, so in truth the lake is less the source, more a conduit).

Lake Tana

Bahir Dar sits at an elevation of over 1,800m, which gives it a warm and gentle climate, just about perfect for walking around at night in a t-shirt at this equatorial latitude. Amusingly, when I asked colleagues about its elevation, I was told it was ‘very low’. I guess from Addis, at 2,500m, plenty of things seem low. In fact, Ethiopia has three main climatic zones, differentiated by altitude. The Kola, or lowlands, run up to 1,500m. The Woyinda Dega, or middle highlands, from 1,500-2,500m. And the Dega, or highlands, from 2,500m upwards. Most of Amhara Region is Woyinda Dega, but it also contains Ethiopia’s highest point, Ras Dashen, which perches at a lofty 4,550m.

Dinkara

Amhara Region’s better known locales, as well as Lake Tana and Ras Dashen, include the historic mountain city of Gondar, once seat to Abyssinian Emperors, the dramatic Simien Mountains, and Lalibela, famed for its rock churches. I’ve been told by people who’ve been there that the Simiens and Lalibela are two of the must-see places in the country, and I hope to get the chance to visit them someday. I did get a chance, on a late afternoon visit before my departing flight, to stop by the dramatic Blue Nile Falls. Due to a festival in Bahir Dar, an hour away, the hydro-electric power station that usually takes the river’s flow was switched off, and water diverted over the falls instead, and so the waterfall was in full thunderous flow, spray hanging in a great cloud in the evening sunlight.

Blue Nile Falls & Rainbow

The city of Gondar sits spread over several hilltops and the intervening valleys, at an altitude of a little over 2,100m. Like Bahir Dar- and many other corners of Ethiopia- it is a growing city and, deceptively, one of Ethiopia’s biggest, at a quarter of a million inhabitants. Its winding roads, forging pathways between buildings jostling for space on the hillsides, struck me at times as reminiscent of an Alpine town. The landscape has a Mediterranean dryness to it and sits beneath a haze that turns golden as the late-season sun sets behind the hills. At its heart grows the UNESCO-heritage King Fasilides’ castle, chief among a network of palaces first started in the 1600s whose remnants can be visited today- some, like Fasilides’ Castle itself, in excellent condition, others little more than ruins.

Fasilides Palace

Gondar’s setting is beautiful, the surrounds of its approach moreso. Driving north from Bahir Dar, the road picks its way among rolling farmland and rocky hillocks, before climbing into the mountains proper. Before the mountain pass that leads into Gondar country, a great rock spire thrusts with phallic determination into the blue sky. Among the hills, the horizon is riven by outcrops and domes, while terraced fields and straw-roofed huts dot the valley floors. The terrain is dry, but not arid. Wildflowers bloom and grass is ripe for haying.

Bahir Dar Landscape

Spire

South of Bahir Dar, the landscape changes again. Instead of the dry hills of Gondar, the highlands are green and damp. Around the grubby crossroads of Injibara, hilltops are crowned with trees, as much as 10% of the land area in this heavily-populated and -farmed district still forested. The skyline is no less dramatic, however, with great protrusions of rock jutting into brooding clouds, while in the foreground, a patchwork of smallholdings is testament to the bustling agricultural sector. Fields are full of horses, and we pass riders in ceremonial garb, their mounts bedecked in white cloaks with red cloth baubles dangling at every trot. When one afternoon it rains, a rainbow paints itself over a spreading valley of fields. Driving back to town, the green of crops not-yet-ripened is somehow far more intense beneath the stormy clouds.

Banja Rainbow

Following the road west, we pass through Chagni, a dusty outpost town with nothing to recommend itself, even to my colleagues, who commented distastefully that the place hadn’t changed in twenty years. Perhaps not quite true- construction on a large mosque in the centre of town was nearing completion, the two minarets like rockets standing against a blue sky, the dome covered in makeshift scaffolding that looked fragile enough to come down with a sturdy kick.

Banja Landscape

Tree and Field- Chagni

Past Chagni, the road winds among more hills, crosses the barrier that marks the division between Amhara Region and Benishangul-Gumuz, and plunges. Not a hundred yards past the checkpoint, it skirts the face of a great escarpment that drops into the rolling lowlands spreading out for a couple of hundred kilometres to the Sudanese border. The landscape undulates, instantly dry. Orange dust like the slappings of a chalkboard eraser coats trees at the side of the road, lending them an ochre pall.

Mandura Road

Villages bounce by, no longer the rectangular tin-roofed homes of the Amhara, but round-walled tukuls like those found in Kenya and South Sudan. In fact even the people are reminiscent of South Sudan. The Gumuz are not as tall as the Nuer or the Dinka, but their skin is dark like coal compared to the relatively fair Amhara. The women walk barefooted in groups, sticks balanced across their shoulders from which they hang plastic jerry cans of water, or other supplies, up to 50kg of weight. Broad-horned cattle roam the countryside. Mixed brush, trees and thorn bushes, grows thick here, and in the golden haze-hung light of a setting sun, this is textbook National Geographic Africa.

Truck at Sunrise

There’s more to Bahir Dar- and Ethiopia generally- than its landscape. Some of this I’ll explore in later posts, for sure. But I was struck on this trip by the utter beauty of the scenery. The hills and mountains, the light and the variety of the place made it one of the more eye-catching and memorable journeys I’ve taken through the byways of this continent- and I’ve taken a few by now. Ethiopia- and Amhara specifically- does have a reputation as a tourist destination among some circles- especially the Simiens (for trekking) and Gondar and Lalibela, for the anthropoligically-minded. However it was the remote and rugged terrain in the south and west of the region that really drew me in, and I hope to go back for a longer trip soon, one in which I’m actually there to take time over the photography, and not just rush from one field visit to the next.

Tree at Dusk

The year isn’t over yet. Not by a long shot. But by the dearth of fresh photos going up on this blog you could be forgiven for thinking I’ve hung up my lenses and called it a day. In fact, by the dearth of fresh anything going up on this blog you could be forgiven for thinking I’ve hung up my keyboard, too.

Happily, neither one is the case.

I have, however, been a little overwhelmed with the inconvenience that is real life, and it’s taken me a little time to get through a backlog of photos for processing, and eventually, writing some of them up. I’m hoping to remedy my general neglect of this site recently over the next few weeks. Which I’ve said before. But I do actually have a little free time coming my way. So, maybe…

At any rate, as a taster here are a few of my favourite pictures from the last ten months or so, from a few different spots round the globe. Some of these locations I might flesh out a little more as time goes on, but for now, I hope you like this little collection of images.

Top: A muggy and overcast day on Tybee Beach, Savannah, GA. Overexposed in-camera and processed for low colour and emphasizing highlights focuses on the texture and an almost dreamlike view of the ocean. Shot using shallow depth of field means the foreground is soft while the waves beyond are in sharper relief.

Above: A baobab tree rises from rusty soils and a  flowering ground creeper in fields outside a village in rural South-East Kenya. I was struck by the lovely contrast between the spray of white flowers (actually weeds), the red ground and the blue sky- all nicely lit on a fresh morning. Baobabs make for a fantastic photographic subject- stark, dramatic and instantly recognizable.

Above: Rounded rocks on a beach at Wilson’s Prom, on the southern coast of Australia, give testament to millenia of weathering at the hands of the relentless ocean. Shot in overcast light and exposing to darken the sky with some differential exposure in post-processing has kept the rocks in low contrast, emphasising their smooth shape and texture, and emphasising form over colour in the muted palette. Wilson’s Prom remains one of the prettiest corners of Victoria in my playbook.

Above: Downtown Phoenix, seen from the air coming in to land, with the high-rise central business district just off-centre and Chase Field, home of the Diamondbacks, off to the right. The way the grid of small streets and roads lead in converging lines take the eye through downtown and on to the hills in the background, and the effect makes this one of the only shots I’ve taken from a plane window that I actually like.

Above: Trentham Falls, outside Daylesford, Victoria, Australia, as viewed from behind the falls themselves. Hand-held at slightly long exposure has given the falling water a slightly silky texture. Among the challenges of taking this image were the issue of shooting from a darkened vantage against a lighter sky and trying not to allow much of the image to burn out. Additionally, several plebs managed to find themselves in the frame, so I removed their pesky presence in post-processing to give the image a more serene look. I actually had to wait up here for a good six or seven minutes for a couple of kids to step out of the frame at bottom, where they had been chucking big rocks into the water. Overall I like the quiet scene and the relatively soft palette of greens and earthy tones.

Above: Highway bridge, Savannah, GA. You don’t generally get many good shots through a car windshield, but this spur-of-the-moment snap-shot (I use the term to refer to how quickly it had to be lined up and taken, not the camera it was taken on) works for me. Again the lines of the bridge struts give a great sense of motion, leading the eye into a contrasty late-afternoon sky, and a broad horizon giving the feeling of wide open spaces. It’s a shot that captures movement and an enjoyable juxtaposition of dramatic engineering and natural beauty.

Above: The sun sets directly over an intersection on a steamy panhandle night near Altha, FL. The warm tones and striking position of the sun are nicely led to by the wires of the phone lines, and I like the faint splash of reflection coming off the road.

While I’ve not been quite as prolific a photographer during the first half of this year (something I’m looking to change), I have managed to break my camera out a few times. And likewise, although my travel schedule has been light-on, I’ve popped up here and there to get a few images that I feel are worth sharing from around the place. Once again, I’ll let the images do most of the talking.

These first few are from the East Coast of the South Island, a ways north of Kaikoura. We were blown away by the beauty of this little pocket of the country. I’ve travelled pretty much every corner of New Zealand, with only one or two exceptions, and this was one of those exceptions. A winding coastal road clings to the rocks and cliffs along this rugged coastline, with dramatic breakers on one side, steep hillsides rising to mountains on the other. The weather was glorious and the scenery rich. I’d go back in a heartbeat.

We found this little church and it’s environs along the same stretch. The churches around Christchurch and northwards are beautiful and would be well worth a photography excursion on their own merit.

Another area of fresh exploration for me was Golden Bay. This exquisite pocket of the South Island, along the north-western tip, is a lfiestyle haven with delightful scenery and a rugged, secluded feel out of the main township areas. We did a short walk to Wainui Falls to one of the more dramatic waterfalls I’ve seen for a few years (partly due to Victoria’s general rainfall scarcity).

The bush walk up is lovely, but the falls make it totally worth the effort. Heavy and gushing and surrounded by dripping temperate rainforest, it’s a gorgeous spot to explore.

Heading northwards through the middle of the North Island and it’s so-called desert centre, we stopped on a windy afternoon for a view of Mt. Ruapehu across the barren plains. Wind-tossed wildflowers made for a nice inclusion into the frame on the first shot.

Catapulting west a considerable distance, I snapped these images of downtown Cape Town, South Africa, from my hotel window. Just to mix it up a little.

And finally, a weekend break took us down the Great Ocean Road here in Victoria, where we came across this little waterfall at the end of a roadside footpath into the Otways. One of the under-rated treasures of Australia, the Great Ocean Road is full of pathways and corridors through the bush to explore, and could be mined for weeks for little gems like this one.

More to come as the camera gets out for more walks…

I love the notion of synaesthesia. In its most simple definition, it’s the notion that something we experience through one of our five senses (smell, sight, sound, taste or touch) can trigger an experience in one of the other senses. Neurologically, it is a rare condition in which neural pathways have somehow become confused, and the sense receptors taking in one set of data interpret it as a different set of values altogether. So that somebody listening to a musical concerto might experience the musical notes as flavours on the tongue. Somebody smelling a bouquet of flowers may instead sense the aroma as flashes of colour. It’s a marvellous, mystical notion (for those of us who don’t suffer from it) and really piques my imagination. (And for readers of paperback fiction, Dean Koontz’s “Intensity” features a particularly creepy villain who experiences synaesthesia).

As a photographer, it’s my aim in taking and sharing a photograph that my viewer takes away an experience from looking at the image that goes beyond the simple arrangement of coloured pixels. At the very simplest, I want to convey some kind of emotion. That might be awe, at the beauty of creation. It might be shock, or something that forces the viewer out of their comfort zone and forces them to confront a new reality. It might be a sense of longing or excitement, a wanderlust as per the title of this blog, or the recollection of a fond old memory.

I started taking photographs- much in the same vein with which I started this blog- because I wanted the people close to me, who I couldn’t take with me on my travels, to experience a little of what I was experiencing. I wanted, through my photographs, to take people to the places and let them feel, on some level, as though they accompanied me. It’s both a gift I hope to give to those close to me, and the fulfillment of a selfish need- not to feel alone when I journey.

My ultimate desire is for somebody to be able to look at a photograph and, on some level of subconciousness, to be able to project themselves through the frame until they have a sensory experience as though they were standing there beside me as I captured the image. Deep, sensory, emotive, real. A synaesthesia of sorts.

Not every photograph conveys that, of course. And the fashion in which an experience might be conveyed will differ with the subject, the style, and the quality of the image. Some photos might pack a more emotive punch, while others might trigger familiar memories, and others still might be more sensory.

This collection of shots I’ve taken over the last few months are all of water, and I’ve found that for me, they’ve tickled the edge of this spectrum. I explore them with my eyes, and I start to hear the water passing through the image.

For a change, I won’t flood this page with words, but will let you assign your own vocabulary to whatever the sets communicate to you.

The first collection is a series I shot at Huka Falls, in New Zealand’s North Island near Taupo. The second is from the area around a small waterfall on the edge of Otway National Park in southern Victoria, just off the Great Ocean Road.

One of the things I like in the second set is the juxtaposition between noise and silence, movement and stillness.

Swollen by spring snowmelt, Bridal Veil Falls tumbles into California’s exquisite Yosemite National Park- easily one of the most jaw-dropping locations I have ever visited (despite the steady stream of camera-touting, RV-driving, hotdog-munching tourists).  The name, taken from the likeness of the wind-drifted water to its matrimonial namesake, is far from unique.  In fact Wikipedia lists no less than 38 ‘Bridal Veil Falls’ named in 8 different English-speaking countries around the world.  How original.

That said, this particular example is a spectacular one.  Plummeting 188 metres from the lip of a hanging valley left behind by a retreating tributary glacier, the light playing in the mist hanging at the falls’ base refracts into a beautiful prismatic rainbow.  Although at certain times of the year the water from the falls won’t even reach the rocks at its feet, I was lucky enough to be there in May when the water was flowing full and plump.  Taken in the late afternoon sunlight beneath a crisp blue sky, the crowd was not impenetrable, and although I ended up with a couple of blobs of water on my lens when the wind shifted direction, it was a pleasure to run off some shots of this natural icon.

For those who haven’t had a chance to visit Yosemite National Park, believe the hype.  Yeah, it’s overtrodden by the visiting hordes, which is a true tragedy for the lover of the natural world, but the valley itself is jaw-droppingly beautiful (quite literally; as I rounded the corner at the far end of the park and got a view through my windshield of the ice-carved gallery bathed in sunlight, my mouth fell open like the hinges had failed).  I’d like to take my next visit in winter, when the throngs are thinned and the snows rest on the mountain caps.  Till then, I indulge myself with a few more photos of what is a spectacular location.

(Yosemite Valley)

(The View from Inspiration Point/Tunnel View)

(Yosemite Falls)

Note: For those visiting who want a slightly quieter experience of the beauty here, visit Hetch-Hetchy, in the northern portion of the park.  A valley reputed once to rival Yosemite for its beauty, it is now dammed and flooded, but with breathtaking wilderness and wonderful plunging peaks, as well as some apparently spectacular hiking (I wouldn’t know, I was only there a few hours).  Best of all, it is relatively undervisited, and well worth the hour’s detour through the forest.